S E L E C T I O N C O S M I X
These works begin with fragments of existing language:
old papers, traces of writing, systems of signs.
Upon this dense surface, a single gesture appears —
a circle, a square, a field of colour, sometimes a void.
The intervention is minimal, yet decisive.
Meaning is not added but interrupted.
Between the noise of accumulated text and the silence of the mark, a space for contemplation opens.
Cosmic Fingerprint
Oil Paint on antique Calligraphy from Japan /
Paper on Canvas / 80 x 120 cm
Code 3 (two parts)
Oil Paint on antique Calligraphy from Japan / Paper on Canvas /
160 x 100 cm
Black Planets
Oil Paint / Sand / on antique Calligraphy from Japan / Paper on Canvas /
123 x 183 cm
Code 1 (two parts)
Oil Paint on antique Calligraphy from Japan / Paper on Canvas /
100 x 160 cm
Ring of Fire
Acrylic Paint on antique Calligraphy from Laos / Paper on Canvas /
100 x 120 cm
A Cluster of Black Holes
Acrylic Paint with Saphron on antique Calligraphy from Japan / Paper on Canvas / 156 x 120 cm
Cluster
Oil Paint on antique Calligraphy from Laos / Paper on Canvas /
197 x 101 cm
Black Presence
Acrylic Paint on antique Calligraphy from Japan /
Paper on Canvas / 104 x 120 cm
Saphron Sun
Oil Paint with Saphron on antique Calligraphy from Japan / Paper on Canvas / 164 x 123 cm
S E L E C T I O N G R A V I T A T I O N A L B O D I E S
These charcoal drawings explore the tension between mass and space.
Dense charcoal forms press against each other, leaving narrow passages of light between them.
What appears solid begins to shift: shapes dissolve, merge, or hover in uncertain balance.
The drawings are not representations but fields of force—
quiet studies of gravity, proximity, and the fragile boundaries between form and emptiness.
S E L E C T I O N M A S S & I N T E R V A L
Bodies of charcoal.
Narrow intervals of light.
Between them, space.
